Ernest Haycox (1899-1950)
by Ernest Haycox, Jr. © 2001
Born Ernest James Haycox in Portland, Oregon on Oct. 1, 1899, in a house or apartment on lower Caruthers Street. There is no record of the event ( no announcements, no birth certificate. Save two years as a beginning writer in New York, he is a lifelong Portland resident and dies in the city on Oct. 13, 1950, several months after unsuccessful cancer surgery.
A small man, just under 5-feet, 8-inches tall and about 160 pounds; bald and with a prominent nose, assumed by many to be Jewish. An exceptionally hard worker and business-like in his approach to writing, putting in eight hours at the task every weekday. Is also a firm and vocal Republican, active in civic affairs and for his school, the University of Oregon.
Writes two dozen novels during his career, most of which are first serialized in Collier's or The Saturday Evening Post, and more than 250 short stories. Early works are mostly imaginative western adventure but, starting about 1935 with Trouble Shooter, he incorporates historic events and places into many of his stories and, in his last phase, he focuses primarily on early Oregon and his novels abandon the strictures of the magazine market. Has considerable success in Hollywood, starting with Stagecoach and C. B. DeMille's Union Pacific (both released in 1938), and works briefly for Sam Goldwyn in 1939, producing two screenplays for Gary Cooper which are ultimately performed by others.
Is a cheerful, unpretentious fellow though somewhat reserved. Is aware, he says, that some who meet him are disappointed to find neither a raw-boned cowboy type or a temperamental artistic. Isolates himself during working hours but otherwise enjoys company. A very moderate drinker and confirmed (cigars mostly) tobacco user.
Drives used and generally unreliable touring limousines as a young man; also likes large dogs (St. Bernards) and ( in 1939-'40 ( builds a large Southern Colonial house which friends interpret as a further reaction to his size and early poverty. Not much of a spender otherwise, except for books; has collected western and Revolutionary War-period literature since 1924, a library now housed at the University of Oregon. Researches his plots with great care and has a voluminous knowledge of the early West. Obtains much information in correspondence with old-time riders and ranchers and cavalry troopers. Reads extensively but not his contemporaries, fearing he will unconsciously borrow material or style.
Parents & Other Predecessors
William James Haycox, his father, born 1877 and in 1899 a fireman (a feeder of boilers) at a streetcar company powerhouse; earlier, W. J. is a fireman and deckhand on Shaver Transportation Co. boats on the lower Columbia River. W. J. is the son of Thomas J. Haycox, born in or near Ludlow, England, probably 1834, immigrating with family in early 1850s. Is a painter of wagons and houses and signs, a Socialist and, late in life (1908-09), a member of the Seaside, Oregon City Council. Tom comes to Oregon in l890 to join a "cooperative community" in the hills near Mist, a Nehalem River valley hamlet and later homesteads in the area. W. J.'s mother, Mary (maiden name Hill, from Utica, NY) dies in 1878, in Stockton, Calif., a year after W. J.'s birth there. Her sister Laura joins family and later marries Tom.
Bertha Mary Burghardt, his mother, born 1881 on a farm near Estacada, a place known at the time as the Palmateer settlement (now Garfield). She is daughter and the fourth of nine children of Ernest and Amelia Burghardt. Ernest Burghardt, born in Berlin (then Prussia) about 1850; father and a brother die of cholera on the voyage over in 1856. Goes to war with the 14th Wisconsin regiment as a drummer in l863, subsequently learns the miller's trade in Kewaskum, Wisconsin and is operating a hotel and tavern in the area with his new wife in l875 when those two and her parents (named Melcher) come to Oregon by boat. Ernest is a partner in a grist mill at Eagle Creek on the Clackamas River about 1880 and for many years following operates a grist mill and sawmill on Deep Creek, a bit closer to Portland. Founds the town of Barton nearby, but it does not become one.
W. J. and Bertha are married in Oregon City by lawyer and political reformer William S. U'Ren in December 1898.
Ernest Burghardt's mother, Johanna, remarries in Wisconsin to Sales Doernbecher, a carpenter and cabinet-maker. One of their children, Frank Doernbecher, comes west, establishes a sizable furniture-manufacturing business in Portland, and directs that a portion of his estate benefit children, resulting in Doernbecher Children's Hospital.
Early Life & Young Adulthood
Young Erny (that's how he spelled it) is with his parents until about 1908, and they are constantly moving: W. J. working in mills and on farms around Oregon and Washington, and Bertha cooking and probably managing dining halls in logging camps. The boy's first paying job is "pearl diving" ( dishwashing; did a lot of it, he said, in a great many places.
Parent separate about 1908; Bertha moves to California and the boy is parceled out to various relatives, lastly at Park Place near Oregon City to Emma Himler, Bertha's married sister, where he is in the eighth grade. Attends nine grade schools in all and is a good student (mostly 80s and 90s), though struggling with math and grammar. Supports himself selling newspapers in Portland at various times from about 1910 on. Lonsdale Square, by City Hall, is a favored location for this activity.
Described by Mary, daughter of W. J.'s older brother Frank, as bright, energetic and, despite his modest stature, occasionally rambunctious. Frank sets him down several times for fighting. But being a new boy in a rough mill town (it was Clatskanie at that moment) probably requires it; and he later explains that a newsboy had to fight to get and hold a good corner.
Decides to enroll at Lincoln High School in Portland in l913, planning at the time to qualify for an agricultural course at Oregon Agricultural College (now OSU) after two years. Has trouble mixing in but, in time, becomes active in a variety of clubs and school activities. Grades deteriorate as his social life at Lincoln blossoms. Supports himself in part by bellhopping at The Norton, a residential hotel. Lives with his father at times, now remarried and working for employment agencies, and occasionally perhaps at The Norton.
Spends the summer of 1915 alone in San Francisco where, after failing as a magazine subscription salesman and tiring as delivery boy for a hat company, is a "peanut butcher," a vendor, on a passenger train operating between Oakland and Sacramento. Learns a good deal on the job, including how to short-change customers. Later writes bitterly of some unexplained event in San Francisco which he will someday return to put right. Breaks a wrist in 1915, perhaps a clue to whatever indignity was suffered.
Also joins the Oregon National Guard in l915, claiming that he is 18 (no birth records). Mobilized in the summer of l916 and sent to the Mexican Border below San Diego to guard against incursions by Pancho Villa, who is nowhere near. On return, writes several articles about the adventure ( his first published work ( for Lincoln's magazine, The Cardinal. Mobilized again in March 1917, he misses the last of his senior year but is allowed to graduate by a patriotic school board.
Trains at Camp Withycombe until July 1917 when his unit (Company B, Third Oregon Infantry) is posted to Wenatchee, Washington to guard bridges and irrigation works against sabotage threatened by the IWW (the Wobblies). Pacifies nearby strikebound Leavenworth on the night of July 17-18, helping capture 42 IWW agents and pickets, later describing the raid as the only exciting incident in several months of otherwise hot, dull, backwater duty.
Rejoins his regiment at Camp Mills, Long Island and arrives at St. Nazaire around Christmas Day 1917, where he is stationed for several months as a military policeman. About May 1918 is transferred to troop-training base at St. Aignan in central France (known, of course, as St. Agony) where he is a rifle-range instructor. Promoted to sergeant ("And a good one, too.") July 4, 1918 and angling for an officer's training course, which would have assured front-line duty. When the war ends, Erny and many of his pals were disappointed that the Third Oregon never saw action.
Has enough saved and/or borrowed to enter Portland's Reed College in the fall of 1919, stating on his application that he intends to prepare himself for a writing career. Joins the college newspaper staff and writes several humorous columns. Works as a commercial fisherman in Alaska the next summer but still can't afford a second year at Reed. Using a stipend from a government program to educate disabled servicemen, enrolls at the University of Oregon. His disability seems to be a thyroid condition.
A journalism major, he quickly becomes a sarcastic columnist for the school paper ("The Campus Cynic" he called himself), and a feature writer and editor of The Emerald's Sunday literary edition in his senior year. Takes every creative writing course available, contributes to the school yearbook and humor magazine, reviews books for a Eugene daily and begins producing short stories which he submits to countless national magazines. Remembered by many for his "office," a shack behind his fraternity house where he frequently works most of the night, the walls of which are decorated with rejection notices.
First professional success comes with two stories accepted by Overland Monthly in San Francisco in 1921, for which he receives only a free subscription. First sale, "The Trap Lifters," a yarn about fish piracy in Alaska, is purchased by Sea Stories for $30 (runs in October 1922). By graduation, has sold half a dozen short stories to Sea Stories and two other pulp magazines. Has persisted despite constant admonitions from his subsidy program's inspectors to drop creative writing in favor of more practical courses. These were unpleasant reviews, he remembered, "but it was never the same guy twice."
A Budding Career (The 1920s & '30s)
Joins The Oregonian in Portland as a police-beat reporter in the fall of l923 but continues to write fiction and, when he has saved $400, takes the train for New York. Aboard, meets and instantly falls for a perky, 5-foot, 2-inch redhead from Baker City, Jill Marie Chord, heading east to attend art school. Rents a cheap room in Greenwich Village, writes steadily and is reasonably successful, particularly with Western Story magazine. Best early work, however, is probably a series of Revolutionary War shorts in 1926.
Money runs short in early l925 and, feeling poorly, he returns to Oregon to recuperate. Says illness is due to bad food but, more than likely, it is lack of nourishment. Just before leaving, he and Jill marry ( in secret, but forgetting that marriage records are routinely published in newspapers. She stays in New York with her mother, having secured a job in J. C. Penney's art department as an illustrator. Mother Mary is a buyer for the chain, recently transferred there from Portland.
Haycox Family in 1929 ( Ernest, Mary Ann & Jill)
Feels better by August, having made several more sales and regained his spirit riding freight trains, another skill acquired as a boy. Buys a car, drives east and sets up shop with his wife in Brooklyn. Long walks in Prospect Park and weekend drives produce many story ideas but he does not like big-city life and the Haycox family returns to Portland in August 1926, where they rent for a couple of years and, in 1928, when daughter Mary Ann is born, buy a house on Sacramento Street overlooking Rose City Golf Course.
In this period, working at home exclusively on westerns, he produces and sells 300,000 words of copy a year ( typically a dozen or so shorts and several novelettes, some of the latter running 60,000 words or more. In 1929, the first of these longer works, Free Grass, appears in book form after serialization in West magazine. Moves to an office on Sandy Blvd. on Portland's East side, sharing space with lawyer Paul Sayre.
Several early attempts to crack the slick-paper magazine market fail but, in 1930, Collier's expresses interest and, for the next dozen years, buys virtually his entire output via a "first-look" agreement. This will include 14 novels and nearly 100 shorts, perhaps the one-writer record for that publication. Produces several series of short stories dealing with the evolution of frontier communities which some say, and he suspects, are his best work to date.
Haycox & namesake on the Rogue, 1947
Son (Ernest James Jr.) born in l931. Family begins spending a month or more each summer at Cannon Beach, though Erny often returns to work in Portland during the week. Has strong, generally conservative political views, first expressed in columns he writes for Spokes, a Portland Rotary Club bulletin, in 1933-34; applauds the intent of New Deal programs but fears the long-term effect of expanding federal controls on local government and personal liberty.
Now producing a novel about every nine months and, with serial installments and shorts, is in Collier's almost every other week. Director John Ford buys short story "Stage to Lordsburg" shortly after it runs (April '37). Returns to New York that year to meet his agent of seven years and Collier's editorial staff. Uncertain of his standing, Erny is awed by the magazine's warm reception.
Begins to plan his dream house in Portland's west hills (Green Hills) and, in 1938, plots American Beauty, about a beauty-contest winner who goes to Hollywood ( an experimental novel and a thorough bust. Spends two months in Hollywood working for Goldwyn in 1939 but turns down studio's offer of a South Seas trip to develop material for loincloth idol Jon Hall. Buys a 42-foot powerboat and, for about two years, is a frequent Columbia River navigator. Writes one of his best adventure yarns, The Border Trumpet, in 1938; it is a cavalry epic and he now uses horse-soldier themes frequently. Last of the cowboy-hero novels is The Wild Bunch, written in 1942.
Civic Duties & Serious Changes ( The 1940s)
Moves into new house in 1940 and relocates office to downtown Portland; works tirelessly on weekends, erecting storage buildings and cultivating a massive vegetable garden. As war approaches, considers rejoining his old army unit (a commission is offered) but family objects and he accepts draft board appointment. Is increasingly active in Republican party affairs, chairing various functions and speaking widely, and ghost-writing a magazine piece for Gov. Dwight Griswold of Nebraska ( a long-shot VP prospect in 1944 ( on the New Deal's bumbling presence in his state. Collier's turns down a Custer novel, Bugles in the Afternoon, saying it now seeks material with wider audience appeal; Post quickly accepts it and starting August 1943, there are Haycox serials running in both publications simultaneously, a rare event.
Canyon Passage Premiere in Portland, 1946
Is a popular and frequent public speaker and, while a humorist in front of young audiences, has serious themes elsewhere. A severe critic of President Roosevelt and the New Deal in the '30s, he chastises Eleanor Roosevelt in print for calling Col. Lindberg a Nazi; but he also, in a 1940 Oregonian guest editorial, opines that US must enter the war against Germany and, from 1944 on, warns repeatedly against renewed isolationism. Debates a political career and with his public and party standing and the support of people like close friend Ep Hoyt, Oregonian editor and publisher, it is an enticing prospect. In the end, realizes he can't be both writer and politician and abandons the latter objective. Productivity declines during the war, partly due to draft board and other public activities but also reflecting creative disquiet. Finds requirements of serial novel and general standards of popular magazines increasingly restrictive; being one of the country's most successful writers of adventure fiction is not enough.
Canyon Passage, 1944, the last serial novel, becomes a major motion picture (Dana Andrews, Susan Hayward) and premieres in Portland in l946. Erny sits uncomfortably in the limelight (parades, editorials, an honorary degree, etc.) for several days. Has recently completed Long Storm, which starts as a serial novel but, 30 or so pages into the first draft, becomes a first attempt at something else ( a panoramic novel with a great many secondary characters and long, musing passages by its principals. A book-club selection, he does not consider it successful. But shift away from the traditional western scene and the installment story is permanent. Listens to critics, and several he respects have been saying for some time that he is better than his material. The old stories remain popular ( Erny and fellow westerner Max Brand (Frederick Faust) have more titles in Armed Forces editions than any other writers.
Struggles with The Adventurers in 1947-48, a second attempt to produce a major work. After several revisions, it is set aside as unsatisfactory. Goes to Greece in December 1947 to observe and publicize American involvement in the civil war there (his report appears in The Atlantic Monthly, unattributed). Involved in motion picture projects sporadically; income, though still comfortable, is well below early '40s levels.
Attempts one more serial in 1948, Head of the Mountain, but is half-hearted about it; a highly praised series of shorts about early Oregon settlers, the Mercy family, foreshadow his next effort, The Earthbreakers. Edits the first of many short-story anthologies which, with the novels, will republish in many languages for several decades. Sells Green Hills house in 1949, moving to a much smaller residence as daughter marries and son starts college. Has been trying to reduce outside activities, but in the later '40s is at one time or another, if not constantly, a director of the Oregon Historical Society, the Portland Chamber of Commerce and the Multnomah Club and a trustee of the state library board. Also presides over the U of O alumni association and the Oregon Dad's club and, in 1947, chairs the fund drive that finances the university's student union building. And, in 1949, he is elected president of Portland Rotary.
Signs a multi-book deal with Little, Brown in l949 and by year's end has completed first draft of The Earthbreakers, far his largest undertaking and the intended pattern for four or five ensuing works. Finishes major editing before his operation in the spring of 1950 and strengthens enough to do some fine-tuning during the summer. When he dies Oct. 13, 1950, several months after unsuccessful cancer surgery, his career is again moving in the direction he desires.
The Earthbreakers and The Adventurers, each set in Oregon, are published posthumously. His long-term fans included Gertrude Stein and Ernest Hemingway, who wrote: "I read the Saturday Evening Post whenever it has a serial by Ernest Haycox." The Ernest Haycox Memorial Library at the University of Oregon, dedicated May 15, 1969, a room containing his books, research materials, posters and memorabilia, is still a vital resource at the University which strongly shaped his career.
Excellent bibliographies of Haycox' work are in Ernest Haycox Fiction ( A Checklist, Call Number 25, Fall 1963-Spring 1964, and Ernest Haycox, Stephen L. Tanner, Twayne Publishers, New York, 1996.
Ernest James Haycox (October 1, 1899 – October 13, 1950) was an American author of Western fiction.
Haycox was born in Portland, Oregon, to William James Haycox and the former Martha Burghardt on October 1, 1899. After receiving an education in the local schools of both Washington state and Oregon, he enlisted in the United States Army in 1915 and was stationed along the Mexican border in 1916. During World War I he was in Europe, and after the war he spent one year at Reed College in Portland. In 1923, Haycox graduated from the University of Oregon with a Bachelor of Arts degree in journalism, where he also started writing under professor W. F. G. Thatcher. In 1925, Haycox married Jill M. Chord, and they would have two children.
He published two dozen novels and about 300 short stories, many of which appeared first in pulp magazines in the early 1920s. During the 1930s and 40s, he was a regular contributor to Collier's Weekly from 1931 and The Saturday Evening Post from 1943. Fans of his work included Gertrude Stein and Ernest Hemingway, and the latter once wrote, "I read The Saturday Evening Post whenever it has a serial by Ernest Haycox."
His story "Stage to Lordsburg" (1937) was made into the movie Stagecoach (1939), directed by John Ford and featuring John Wayne in the role that made him a star. The novel Trouble Shooter (1936), originally serialized in Collier's, was the basis for the movie Union Pacific (1939), directed by Cecil B. DeMille, starring Barbara Stanwyck and Joel McCrea. Haycox wrote the screenplay for Montana (1950), directed by Ray Enright, which stars Alexis Smith and Errol Flynn.
Haycox died in 1950, at the age of 51, in Portland. In 2005 the Western Writers of America voted Haycox one of the 24 best Western authors of the Twentieth Century.
Burnt Creek stories
While living in New York Haycox wrote his first series of interconnected stories set in Burnt Creek, a town in central Oregon.
Stories set during the American Revolution
From 1924 through 1926 Haycox lived in New York city, and he became deeply interested in the American Revolution. Haycox made several trips to battlefields in New York, New Jersey, Pennsylvania, Connecticut, and Massachusetts and wrote eight stories and two novelettes set during that era. After publishing one of these stories, Haycox received a letter from a reader stating that Haycox did not describe the uniforms of the soldiers correctly. Haycox promptly purchased a book on the Revolutionary era military uniforms. After his move back to Oregon in 1926, Haycox concentrated on Westerns, and he precisely researched the military uniforms of eras he wrote about.
New Hope stories
Appearing in Collier's between 1933 and 1938, these stories are set in New Hope, a trading town on the Missouri River in the 1880s. Many of these stories are told in the first person, a device Haycox used about a dozen times during his writing career.
Serial and historical novels
Beginning in the mid-1930s, Haycox began to write novels and a few stories which are based on historical events. The first of these was Trouble Shooter (1936), followed by The Border Trumpet (1939), Alder Gulch (1942) and Bugles in the Afternoon (1943). At the same time as these novels were written, Haycox continued to write novels and short stories which had an ambiance and milieu of the west but which were not based on specific events or places. Somewhere in between these two kinds of novels is Trail Town, which is based on Abilene Kansas, and Marshal Tom Smith, but which is nonetheless a work of fiction, where Abilene becomes River Bend and Tom Smith become Dan Mitchell. Haycox did write a story set Abilene with Sheriff Tom Smith as a character called On Texas Street. Haycox's historical novels are the ones which Professors Etulain and Tanner write most about in their essays and books about Haycox, but Luke Short preferred Haycox's non-historical novels: “My favorite Haycox yarns don’t lean on a known time or place…. In these stories, I suspect Haycox made his own geography, named his own towns and mountains and rivers; he peopled them with tough abrasive characters whose only law was their self will.”
Unpublished novel and story
Haycox wrote National Beauty in 1939 about a woman in Oregon who wins beauty contests, and goes to Hollywood, but is not successful in the movie industry. Collier's declined this novel, and the manuscript apparently was destroyed, as it was not included in the preserved Ernest Haycox Papers. Collier's also rejected the story "Boyhood."
Land Rush stories
Starting in 1940 Haycox published five stories in Collier’s about settlers in a town named Ingrid. The stories are "Some Were Brave" (1940) (later retitled "Land Rush"), "Dark Land Waiting" (1940), "The Claim Jumpers" (1940), "Faithfully, Judith" (1942), and "Deep Winter" (1943). A sixth story, “Early Fall” was one of Haycox's rare rejections.
Two novels concurrently serialized
Haycox was one of the most successful writers in the slick magazine market of the 1940s. In 1943 Collier's and The Saturday Evening Post serialized two different Haycox novels at the same time. Collier's serialized The Wild Bunch beginning on August 28, 1943, and continued on September 4, 1943, September 11, 1943, September 18, 1943, September 25, 1943 and concluded on October 2, 1943. The Saturday Evening Post serialized Bugles in the Afternoon beginning on August 21, 1943 and continued August 28, 1943, September 4, 1943, September 11, 1943, September 18, 1943, September 25, 1943, October 2, 1943, and concluded on October 9, 1943.
The Mercy Family stories
At the end of 1948 through the beginning of 1949 Haycox published three stories, one in Collier's and two in The Saturday Evening Post featuring the Mercy family. These stories are Haycox's "tribute to the pioneer mother."
"No sensible man watches his feet hit ground. He looks ahead to see what kind of ground they'll hit next." – Pioneer Loves. Call This Land Home
Note: Many of Haycox's novels and stories have been published under more than one title. The list below shows the titles used for the original publications.
- Free Grass (1928)
- Chaffee of Roaring Hors (1929)
- Whispering Range (1931)
- Starlight Rider (1933)
- Riders West (1934)
- Rough Air (1934)
- The Silver Desert (1935)
- Trail Smoke (1936)
- Trouble Shooter (1936)
- Deep West (1937)
- Sundown Jim (1937)
- Man in the Saddle (1938)
- The Border Trumpet (1939)
- Saddle and Ride (1940)
- Rim of the Desert (1940)
- Trail Town (1941)
- Alder Gulch (1942)
- Action by Night (1943)
- The Wild Bunch (1943)
- Bugles in the Afternoon (1943—serialized in The Saturday Evening Post—Haycox's debut in that publication)
- Canyon Passage (1945)
- Long Storm (1946)
- Head of the Mountain (1952)
- The Earthbreakers (1952)
- The Adventurers (1954)
Short stories and novellas
- "The Trap Lifters" (1922)
- "The Coolie Catcher" (1923)
- "A Burnt Creek Yuletide" (1924—A Burnt Creek story)
- "The Ditch to Freedom" (1924)
- "Budd Dabbles in Homesteads" (1924—A Burnt Creek story)
- "When Money Went to His Head" (1924—A Burnt Creek story)
- "Stubborn People" (1924—A Burnt Creek story)
- "A Wooing in the Wilds" (1925)
- "Prairie Yule" (1925—A Burnt Creek story)
- "Red Knives" (1925—Set in the Ohio River Valley during the American Revolution)
- "Light of the West" (1926)
- "A Battle Piece" (1926—Set during the American Revolution)
- "Frontier Blood" (1926)
- "False Face" (1926—A Burnt Creek story)
- "Rockbound Honesty" (1926—A Burnt Creek story)
- "The Code" (1926)
- "The Timberline Fugitive" (1927)
- "The Gun-Shot Path" (1927)
- "Winds of Rebellion" (1927—Set during the American Revolution)
- "Drums Roll" (1927—Set during the American Revolution)
- "Deserter at Valley Forge" (1927—Set during the American Revolution)
- "Under Western Skies" (1927)
- "The Belle of Sevensticks" (1927)
- "A Rider of the High Mesa" (1927)
- "A New Deal in Sevensticks" (1927)
- "One Night in Blackfoot" (1927)
- "The Man From Montana" (1927)
- "Bound South" (1928-A Breedlove-Bowers story)
- "Starlight and Gunflame" (1928)
- "The Octopus of Pilgrim Valley" (1928)
- "The Desert Eye" (1928)
- "Secret River" (1928)
- "A Municipal Feud" (1928-A Breedlove-Bowers story)
- "The Sheriff of Crooked Rib" (1928)
- "The Grim Canyon" (1928)
- "Guns Up!" (1928)
- "Sevensticks Gambler" (1928)
- "Contention—Two Miles Ahead (1929-A Breedlove-Bowers story)
- "The Bandit from Paloma County" (1929)
- "Renegade Law" (1929)
- "Brand Fires on the Ridge" (1929)
- "The Return of a Fighter" (1929)
- "Fighting Man" (1929)
- "Invitation by Bullet" (1929-A Breedlove-Bowers story)
- "Discovery Gulch" (1929)
- "Night Raid" (1929-A Breedlove-Bowers story)
- "Wild Horse Lode" (1929)
- "The Trail of the Barefoot Pony (1929-A Breedlove-Bowers story)
- "Five Hard Men" (1929-A Breedlove-Bowers story)
- "By Rope and Lead" (1929)--a Peach Murgatroyd story, not collected in the short story collection of the same name. Collected in Powder Smoke and Other Stories.
- "The Killers" (1930-A Breedlove-Bowers story)
- "Pistol Gap" (1930)
- "Son of the West" (1930)
- "Dolorosa, Here I Come" (1931—first appearance in Collier's)
- "Crossfire" (1931)
- "Manhunt" (1931)
- "The Gun Singer" (1931)
- "Old Tough Heart" (1931)
- "Ride Out!" (1931)
- "Smoke Talk" (1931)
- "McQuestion Rides" (1931)
- "The Feudists" (1932)
- "The Fighting Call" (1932)
- "The Roaring Hour" (1932)
- "Hang Up My Gun" (1932)
- "Blizzard Camp" (1932)
- "The Kid From River Red" (1932)
- "Found Out" (1932)
- "Breed of the Frontier" (1932)
- "Farewell, Laramie, Farewell!" (1932)
- "Their Own Lights" (1933—a New Hope story)
- "The Decision" (1933)
- "At Wolf Creek Tavern" (1933)
- "The Hour of Fury" (1933—a New Hope story)
- "Gambler's Heart" (1933)
- "Odd Chance" (1933)
- "Their Own Lights" (1933—aka "Episode −1880–" a New Hope Story)
- "Second-Money Man" (1933)
- "Smoky Pass" (1934) (A revised version of this serial was published as Riders West, by Doubleday Doran, not as Rough Air as is sometimes claimed.)
- "Pride" (1934)
- "The Man with Smoke Gray Eyes(1934—a New Hope story)
- "High Wind" (1935)
- "Way Up the Bozeman" (1935)
- "Make Me Believe" (1935)
- "Against the Mob" (1935—a New Hope story)
- "Once and for All (1935—a New Hope story)
- "Born to Conquer" (1936—from 1936 to 1942 Haycox's stories and novels appeared in Collier's)
- "The Stranger" (1936)
- "Proud People" (1936—a New Hope story)
- "Woman Hungry" (1937)
- "Stage to Lordsburg" (1937)
- "Free Land" (1937)
- "Scout Detail" (1938-a Military story)
- "This Woman and This Man" (1938-not a Western story.)
- "Down the River" (1938—a New Hope story)
- "A Man Needs an Answer" (1938)
- "An Interval in Youth" (1938—a New Hope story)
- "Blizzard" (1939)
- "Fourth Son" (1939)
- "The Long Years" (1939)
- "A Girl Must Wait" (1939-not a Western story.)
- 1940s and later
- "The Drifter" (1940)(Collier's title for Haycox's novel The Rim of the Desert)
- "The Silver Saddle" (1940)
- "Change of Station" (1940)
- "Room 515" (1940)
- "On Don Jaime Street" (1940)
- "Some Were Brave" (1940) (Later retitled "Land Rush" the first of the Land Rush stories.
- "Dark Land Waiting" (1940) (The second Land Rush story.)
- "The Claim Jumpers" (1940) (The third Land Rush story.)
- "Weight of Command" (1940-a military story)
- "Martinet" (1941-a military story)
- "The Quarrel" (1941)
- "Dispatch for the General" (1942-a military story)
- "Second Choice" (1942)
- "Faithfully, Judith" (1942) (The fourth Land Rush story.)
- "Always Remember" (1942)
- "A Young Man's Fancy" (1942)
- "Skirmish at Dry Fork" (1942)
- "Time of Change" (1942)
- "The Colonel's Choice" (1942-a military story)
- "Deep Winter" (1943) (The fifth Land Rush story.)
- "Paycheck" (1943)
- "Only the Best" (1943)
- "From the Tuality" (1943)
- "At Anselm's" (1944)
- "Departure" (1946)
- "Snow in the Canyon" (1948)
- "Mrs. Benson" (1948)
- "Custom of the Country" (1948)
- "Dead-Man Trail" (1948)
- "Night of Parting" (1948)
- "Cry Deep, Cry Still" (Collier's November 28, 1948)--Story features the Mercy family.
- "Call This Land Home" (Saturday Evening Post December 4, 1948)--Story features the Mercy family.
- "Things Remembered" (1949)
- "Violent Interlude" (Saturday Evening Post February 26. 1949)--Story features the Mercy family.
- "Outlaw's Reckoning" (1949)
- "The Land That Women Hate" (1949)
- "The Inscrutable Man" (1951)
Story and novella collections
- Outlaw (1939)
- Murder on the Frontier (1942—These stories appeared in Collier's from June 1931 to February 1942.)
- Pioneer Loves (1948)
- Prairie Guns (1949)
- The Last Rodeo (1949)
- Rough Justice (1950)
- By Rope and Lead (1951)
- Rawhide Range (1952—Collects ten stories first published in Collier's between 1939 and 1949.)
- Vengeance Trail (1955)
- Winds of Rebellion (1955—Collects Haycox's Revolutionary War stories.)
- Gun Talk (1956—Collects six pulp stories published in Short Stories Magazine between 1927 and 1933.)
- Brand Fires on the Ridge (1959)
- The Feudists (1960)
- Best Western Stories (1960 edition published by Bantam collects Rough Justice, By Rope and Lead, Pioneer Loves & Murder on the Frontier. 1975 edition published by Signet collects only Rough Justice & & Murder on the Frontier.)
- The Man From Montana (1964—Collects 11 stories.)
- Outlaw Guns (1964)
- Sixgun Duo (1965)
- Trigger Trio (1966)
- Powder Smoke and Other Stories (1966)
- Guns of Fury (1967)
- Starlight and Gunflame (1973)
- Frontier Blood (1974)
- Burnt Creek: A Frontier Duo (1996—Collects Haycox's Burnt Creek stories and "Red Knives" a story set in the Ohio Valley)
- New Hope (1998—Collects—The Roaring Hour—The Kid from Red River—The Hour of Fury—Haycox's New Hope Stories)
- Union Pacific (1939), based on Trouble Shooter (1936)
- Stagecoach (1939), based on the short story "Stage to Lordsburg" (1937)
- Sundown Jim (1942), based on Sundown Jim (1937)
- Apache Trail (1942), based on the short story "Stage Station" (1939)
- Abilene Town (1946), based on Trail Town (1941)
- Canyon Passage (1946), based on Canyon Passage (1945)
- Man in the Saddle (1952), based on Man in the Saddle (1938)
- Apache War Smoke (1952), based on the short story "Stage Station" (1939)
- Bugles in the Afternoon (1952), based on Bugles in the Afternoon (1943)
- The Far Country (1954), based partially on Alder Gulch (1942)
- Stagecoach (1966), based on the short story "Stage to Lordsburg" (1937)
- ^ abHaycox, Ernest, Jr. "Ernest Haycox (1899–1950)". Oregon Cultural Heritage Commission. Retrieved June 14, 2010.
- ^ abcdeCorning, Howard M. (1989) Dictionary of Oregon History. Binfords & Mort Publishing. p. 110.
- ^Five join SOJC's Hall of AchievementArchived September 3, 2006, at the Wayback Machine.
- ^"Oregon Cultural Heritage Commission". ochcom.org.
- ^Burnt Creek p.7
- ^Tanner, Ernest Haycox, Twayne, pp 30–32
- ^New Hope pp 7–8
- ^Etulain, Richard W., Ernest Haycox, p. 23, Bosie State University Press, Boise, Idaho 1988
- ^Luke Short—quoted in Tuska, Jon (November 1, 1999). The Western Story: A Chronological Treasury. University of Nebraska Press. p. xxi. ISBN 9780803294394.
- ^Tanner, Ernest Haycox, Twayne, pp 90–91
- ^"Guide to the Ernest Haycox papers 1922-1974". wsu.edu.
- ^Tanner, Ernest Haycox, Twayne, p. 72
- ^Haycox Jr, On a Silver Desert, University of Oklahoma Press, Norman, OK, 2003 pp 162–163
- ^Guide to the Ernest Haycox Papers 1922–1974Archived July 17, 2011, at the Wayback Machine.
- ^Tanner, Ernest Haycox, Twayne, p. 97-99
- ^Haycox first story for Collier's appeared in the February 28, 1931 issue—Etulain, Richard W., Ernest Haycox, p. 9, Bosie State University Press, Boise, Idaho 1988